Bedroom Makeover: A Few Small Changes Create a Brand New Look

Last spring, my bedroom underwent a bit of a makeover. It took about a year, but after a very painful deliberation process, I landed on its new wall color - Sherwin Williams' Fleeting Green.

Well, the bedroom now has received a mini-makeover.  Though the paint color remains the same, a few tweaks in the accessory department awarded me a brand new look. 

I could tell you that this makeover happened over the weekend, but I'd be lying. It's been a gradual process, starting with the introduction of this amazing dresser that my dad built last October.

Then we had new hardwood floors installed, one of the more positive outcomes of a burst kitchen pipe.

I picked up a few new bed linens a couple of months ago, including the crazy, furry green throw which has acquired the nickname "The Magic Woobie" due to its incredible healing powers. (It's amazing how a soft, cuddly throw can somehow make you feel better on really crappy days.)

I also gave the table lamps a little love with some green pom-pom trim and a few squeezes of fabric glue. 
 
I scored this green velvet upholstered bench at a recent estate sale for $30. Let's just say I was pretty excited that day. Major shopper's high.

Here's the before and after. 

Now, there was nothing really wrong with the before. I still adore the turquoise and yellow color combination and might go back to it at some point. But sometimes we need a change. Sometimes before and afters aren't about what's better and what's worse. Sometimes a before and after merely reflects the evolution of a space as we move through our lives. So for now, I will make a conscious choice not to judge and compare and analyze every little detail and just enjoy the space that it is today, knowing that when I'm meant to evolve it will evolve right along with me. 

If you need help with your design evolution, please call me at 650.867.3896, or shoot me an email at kelly@artestyling.com to discuss your project.

The Top Five Most Useless Interior Design Terms


There are a lot of terms that get thrown around when people discuss design. Many of these terms are necessities in the design process - communicators of what a space should look like, how it should feel and what sort of function it should perform. Other terms are completely meaningless. Their very existence relies upon an extremely passive approach to design, creating a mindless vortex in which we all can get sucked into if we aren't careful.

I'm not going to lie. I've been guilty of using these terms from time to time when speaking to design. But the more and more I see the following descriptors getting tossed around like croutons on a salad, the more and more I have begun to despise - yes, despise - these words and what we're supposed to think they mean. Why such strong feelings towards such seemingly harmless groupings of letters? Because these words don't help anyone. They don't help me, they don't help you and they don't help my clients. These terms are so vague, they only create confusion when applied to design and a sense of inadequacy for those who think they don't understand them. I am here to tell you that if you don't understand how these terms relate to your home, don't worry about it. You don't need to. And if you hear a design professional use one of these words, ask them what they mean by it. If they can give you a logical, cohesive, sensical answer and can go on to describe a space or a style on a deeper level, you've got yourself a good designer. If they start babbling nonsensical gibberish, beware. Good design starts with a good concept...and a good designer should be able to speak to that concept without making you feel like a deer caught in headlights.

Ok, on to...

The Top Five Most Useless Interior Design Terms

1) Timeless 
Also known as Classic. I see this one over and over again. At first glance, it might seem completely harmless. But when this word is used to describe an interior or a style I cringe. Timeless essentially means eternal, infinite, and ageless. Now, tell me, how exactly does this transfer to a design direction? Perhaps it's a brown leather club chair in front of a brick fireplace? Or a colorfully painted fresco depicting a biblical scene on your ceiling? Or maybe it's a stone cave carved out of the side of a mountain? It would be difficult to argue that any of these designs aren't timeless. So when a client tells me they like timeless design, which of these styles are they referring to? Exactly. We don't know. None of us know until we dig a little deeper.

2) Eclectic
This is a good one. I've certainly used this term myself and I'm vowing to eliminate it from my design vocabulary right now.

Here's the definition of eclectic design according to dictionary.com:

noting or pertaining to works of architecture, decoration, landscaping, etc., produced by a certain person or during a certain period, that derive from a wide range of historic styles, the style in each instance often being chosen for its fancied appropriateness to local tradition, local geography, the purpose to be served, or the cultural background of the client.

Huh? 

Maybe it's a decent definition of what eclectic design is, but it doesn't help much when we are designing spaces. If a client tells me they have eclectic tastes, that's fine. I get it. They have different tastes and like to mix different things together. But what sort of different are we talking about? Eclectic can mean a whole lot of things to a whole lot of people. Is  it an art collection from the 1960s mixed with a Room and Board sofa? Is it a grouping of Arts and Crafts style pottery resting on grandma's sideboard? Is this really eclectic...or is it just authentic, meaningful design? Shouldn't all homes have a sense of being eclectic?  If we don't embrace eclectic - if we don't embrace the different - then we embrace sameness. And that's just boring. 

3) Clean 
I don't have much to say on this other than...what, do we want dirty? Clean is a state of not being dirty. It is not a design goal.

4) Ethnic 
Otherwise known as Global. This is a funny one to me. If the design style doesn't originate in our own backyards then it's ethnic. Usually we see this term describing anything that's overly colorful or filled with trinkets from far-off lands. I'm all for incorporating meaningful artifacts and artwork from a client's international travels...but usually these places have a name. If something is from Tibet or Mozambique or Singapore, why does it have to be ethnic? It just is what it is, and should be celebrated. Using the term ethnic really dumbs us down by allowing us to group together anything "foreign" into one big lump of design.

5) Transitional
My favorite. Or, rather, my least favorite. Can someone please tell me how I made it through three years of design school without hearing so much as a whisper of this "design style"? This is, in my opinion, the absolute worst word to use in reference to design. Transitioning from what to what, exactly? To me, this word represents all that is generic, uninspired and unthoughtful about design. The very nature of the word suggests that the space is temporary, in transition...transient. Maybe this is a a good design descriptor for a subway station, but not a home. When a designer uses this word to describe their work, I get very concerned. It is usually used as an attempt to be all-encompassing...and I know that some designers stand by this term whole-heartedly. But, I can tell you that if a client ever uses the word transitional with me to describe their design style, it gives me absolutely nothing to go off of. Does it mean crown molding and a Mission style dining table? Or no molding with a trestle style table made of reclaimed wood? Oh wait - now we're probably getting into Green Design. Geez. Even I start to get confused.

So, are you with me? Will you vow to stop using these terms to describe design styles and to define design goals? Or is there a term here that you just can't live without?

Is there any other Useless Interior Design Term you'd like to add to the list?

Colorful Kitchen Remodel: Violet and Green

I'm not a huge fan of all-white kitchens. They can look beautiful on the pages of a magazine, but, in general, I don't find them very livable. I'd much rather infuse a kitchen with color. For a recent kitchen remodel, I had the wonderful opportunity to work with clients who were ready to embrace unique color combinations. Although they ultimately decided on white cabinetry (gray, black and green were in the running), we were able to bring in a lot of color through the backsplash tile, paint and accessories. The final  design resulted in a fresh, playful, authentic space that the clients absolutely adore.

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Tile design drawings. Clients wanted an organic feel, so they went with #3. The tile installer interpreted it perfectly!
Tile backsplash installed

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 All photos © Kelly Berg, 2011

If you need guidance with your kitchen remodel please call me at 650.867.3896, or shoot me an email at kelly@artestyling.com to discuss your project.

Color is NOT Easy...and Why That's a Good Thing

If anyone ever tries to tell you that color is easy, be skeptical.

The very idea of color (color is, after all, just an idea...or perception) is highly complex. Since the beginning of time color has been a subject so integral to our understanding of life itself. Some of the greatest minds in history have devoted years, decades - even lifetimes - trying to make complete sense of how color works. Thanks to this devotion, and modern technology, we have a pretty good understanding of color from a scientific perspective. We know about rods and cones, additive versus subtractive, and the whole prism thing. Ok, well "we", meaning me, know some of it. The point is, the information and training is available if I ever wanted to become a color scientist. Probably not going to happen in this lifetime, but never say never. And although the training is available (you can get a Master's in Color Science from Rochester Institute of Technology) I highly doubt it is an "easy" subject to major in, as the program encompasses physics, chemistry, physiology, statistics, computer science and psychology.

Ahhh...color psychology. We've all heard about this. Personally, I think color psychology could be a major all on its on, because that's really where things start to get complicated. And because it gets so complicated it is an immediate target for what I consider one of the most dangerous words in the English language: "Easy."

Dangerous? Isn't that a bit harsh?

No, I don't think so...and let me tell you why.

"Easy" leads to magic recipes which in turn lead to color myths.

We've heard that red makes you hungry, and that blue is an appetite suppresent. So if you want to lose weight, just paint your kitchen blue. Easy enough, right? Zippo-zammo - you've solved two of life's biggest problems with one easy stroke of a brush. You know what color to paint your kitchen AND you're gonna drop a few pounds. Where did this idea come from? Some studies were done a number of years ago that, like a bad game of telephone, become diluted and misinterpreted over time. The information was then hijacked by "color experts" in an effort to prove their own worth as professionals. That's my story and I'm sticking to it.

"Easy" also leads to arbitrary color "rules."

Ever heard something like "All trim should be painted white" or "Never paint a small room in a dark color"? These "rules" attempt to simplify color and neglect to take into account the ever-evolving and highly unique set of circumstances, preferences and personas involved in each color project. Creating color "rules" certainly makes for easy-to-follow advice and looks great as a quote in a magazine. But, in my opinion, it is completely irresponsible for any color professional to design, sell, or subscribe to any of it.

And why is all of this bad? Well, for a few reasons. First, simplifying color doesn't lead to well-designed, well-functioning spaces. Color does, in fact, play an extremely important role in the function of our environments, and following "easy" color advice can often lead to bad design. Bad design can make us feel icky in our spaces. Imagine telling someone who despises blue that she needs to paint her kitchen blue simply because she's trying to lose weight? Every time she goes in her kitchen she's going to hate it. Maybe she'll lose weight, but it might be because she can't stand being in the space long enough to grab some food. Or, maybe that space will stress her out and she'll consume MORE food because she's an emotional eater.  Sound ridiculous? Sure - but no more ridiculous than the original color myth.

Making color "easy" also can create a sense of fear. What happens if we don't adhere to these color "rules"?  Will we ruin our baby's development if we paint the wrong color in the nursery? Will the value of our home decrease if we don't have all the trim painted in Decorator's White? Funny how "easy" doesn't seem so easy anymore. Although the "rules" are set up to guide us, they actually confine us, often times making us too frightened to appreciate and explore color by our own free will.

Ultimately, "easy" deprives us of a deep sense of satisfaction.

You still with me?

When we try to turn something into "easy", we immediately take away the prospect of hard work and reward. If something is deemed easy, we also have expectations that it won't take much time or energy.What's more rewarding  - walking to the end of the street or running 10 miles? Running that 10 miles is probably going to be hard work (unless you're Carl Lewis or something), but you will no doubt feel an exhilarating sense of accomplishment when the run is completed.

Setting up this idea that color is "easy" takes away our ability to truly appreciate color and all it has to offer. Color is hard work. But it is in the hard work that we reap the sweetest reward. I believe that we are all capable of learning color. This idea that it's supposed to be easy is outdated and dangerous. It leaves people afraid and feeling inadequate...and leads to thoughtless designs. It's time to embrace the idea that color is NOT easy. Never was, never has been. And as soon as we stop trying to make it easy and give it the thought that it deserves, we will be able to harness its full power and beauty.

If you need help harnessing the power and beauty of color please call me at 650.867.3896, or shoot me an email at kelly@artestyling.com to discuss your project.

Vegan Chili Recipe

I used to love meaty chili as a kid. We'd often have a big bowl of it for dinner, using a flour tortilla as the base and topping it with grated cheddar cheese and a dollop of sour cream. Since I no longer eat meat - haven't for about 15 years now - I had to devise a way to get the same flavor and texture profile as my childhood favorite, vegan-style.

I've made vegetarian chili before. I simply followed a traditional meat-filled recipe and left out the meat. Good, but definitely not worth blogging about. That was before I had my secret ingredient: Rancho Gordo Beans.

If you haven't heard of Rancho Gordo Beans and you love beans (or even like them...you'll probably love them after you try them) please go check them out! They are out of Napa, and provide the most wonderful product - Heirloom beans from Mexico and Central America. 

"The Rancho Gordo Story"

 provides a great read on the company's history and philosophy.

"American cuisine seems to be in a position of re-inventing itself and I'd love to include ingredients, traditions and recipes from south of the border as part of the equation. I love the concept of The Americas. I feel as if it's just as important as the European heritage many of us share." - Steve Sando, Founder of Rancho Gordo

I love that.

Ok, on to my recipe. Enjoy!

Vegetarian Chili (w/ Rancho Gordo Ayocote Morado Beans) 

Ingredients

1/2 lb of Ayocote Morado (Purple Runner Beans), rinsed and sorted (

BUY here

)

1 Tbsp olive oil

2 carrots, diced

1 onion, diced

2 celery stalks, diced

2 cups canned diced tomatoes

2 bay leaves

1 tsp oregano

1 Tbsp Chili powder (more for spicier, less for milder)

1  tsp Chipotle powder (more for spicier, less for milder)

salt

pepper

avocado

cilantro

Soak beans in water a large stock pot in water for approximately 2 hours (or until they double in size and soften a bit.) Make a mirepoix with the carrots, onions and celery. (This just basically means you saute the ingredients together with a little olive oil and cook until softened.) Once the beans are soaked, add the mirepoix, canned tomatoes, bay leaves and oregano to the stock pot. Turn on the heat to medium-low and simmer away for a couple of hours. You may need to add more water periodically, depending on how much water the beans were soaking in. The amount of water and the cooking time will determine how thick or thin your chili will be.

Near the end of the cooking process, add the chili powder, chipotle and salt and pepper to taste. (I stick a spoon in every once in awhile to taste the beans for doneness.) You may want to add the chili powder and chipotle in gradually to adjust for your personal spicy meter. I like things on the spicy side, so these proportions might have a bit too much bite for some of you.

Then - and this is the trick to giving the chili a more meaty texture - mash up about half the beans with a potato masher. Simmer for another 15 minutes or so, and adjust the seasonings, if necessary.

Serve with warm tortillas or tortilla chips and top with fresh avocado and cilantro. (Note: photo shows cotija cheese as a topping, but this can easily be replaced with a vegan cheese or no cheese at all.)

California Paints Color Challenge (And a little color forecasting test)

Back in November, I entered a contest put together by California Paints. The contest was called "Color Challenge" and was a call "to the professional interior design community to determine the featured colors for our 2011 color card series."

Each designer could enter up to 10 three-color palettes using California Paints' hues. Five palettes for interior schemes, and five palettes for exterior schemes. I went ahead and submitted all 10 schemes thinking I would increase my chances. Well, it must have worked because last week I was contacted by California Paints and was informed that the company would be using four of my color schemes in their color cards, coming out this spring. There will also be an online "Designer Selection Gallery" featuring the winners of the contest along with further information about their selected palettes.

I decided to give you a sneak peek of my color palettes, and also provide you with a little color challenge of your own. Below are the 10 palettes I submitted. (You might notice that I named these palettes after places in California. I was trying to bring some more "California" into California Paints, because, ironically enough, you can't actually buy California Paints in the state of California. I was assured by the Marketing Director in Massachusetts that they are currently working on a westward expansion.)

Anyway, here are the palettes. See if you can guess which four color schemes were chosen for winners! (Hint: three are exterior; one is interior.) On Thursday I'll post the four palettes that will be featured in California Paints 2011 Color Cards. 

(Please note that these are photos of color cards, therefore the colors aren't 100% accurate representations of the actual paint colors.)

The Golden Gate
Crystal Cove 
Monterey Coast
Old Hollywood
Redwood Forests
California Sunset
Stormy Beaches
Napa Valley Wine Country 
San Diego Beaches
Old California Mission

If you are ready to create your own personalized color palette for your home or business,  please call me at 650.867.3896, or shoot me an email at kelly@artestyling.com to discuss your project.